How precious are Your thoughts to me, O LORD ... how vast is the sum of them!

Saturday, June 1, 2019

Protecting the Poor - New Release from Amanda Tero!


We're counting down the months until Book Three of the “Tales of Faith” series is released! But for now… we get to see the cover of Amanda Tero’s newest book.

Ready...??



Protecting the Poor" will release August 26, 2019, completing the Tales of Faith" trilogy. While Befriending the Beast" and The Secret Slipper" are loose retellings of fairytales, Protecting the Poor" is a retelling of a classic legend: Robin Hood.



About the Book

Sheriff Feroci is now lord over the province, and Abtshire has become a pit of injustice. Being forced into the lord’s service does not give Dumphey as many opportunities to help the poor as he desires. When attempts on his life drive him into the forest, this freedom opens a world of possibilities for helping others. But how can he do so when he is running for his life? And does God want him to do more than simply feed the poor?

Noel has always hidden behind the shadow of his older brother, Dumphey. When life forces him to stand on his own, will he still follow God in the corrupt world in which he lives? Would God really call him to do something that is beyond his power to do?

As Lord Feroci's sinister plot comes to light, each lad has a choice to make. A choice that could cost them their lives.



Prologue of Protecting the Poor"

Lord Feroci slammed the desk with his fists. “I didn’t send you on a fool’s errand, Barat.” He clenched his teeth as he glared at the missive opened before him.
“Aye, sir. I cannot help that others are the fools.”
Feroci released his anger in a growl. Barat stood patiently, his arms crossed.
“We’re losing time, Barat.”
Barat didn’t respond.
“You’re not doing enough.” He raised his head to glare at his man. Barat stared him down. Nothing could phase this man. Which was exactly why Feroci had him in his employ. But ’twas irksome at times. Feroci blew out his pent-up air and fell back into his chair. “What do you suggest?” Barat was the only man in Abtshire from whom he would even consider suggestions. The man had proven his loyalty on the battlefield, taking more than one scar for Feroci. Feroci had returned the favor as many times. They were in this together.
Barat finally stepped forward, but he didn’t sit in the seat across Feroci. Instead, he took the missive from Feroci’s desk and held it at two corners. “I say, we do this…” He pulled at the paper and it ripped—something weak giving way to a greater force that commanded it. That sight alone gave Feroci strength and he nodded in satisfaction.
“Aye. Something made from pulp cannot stand against an iron fist. They will give way.”
“Call another meeting.” Barat layered the two pieces of paper and held them over one of the candles that shed light in the dim room. A small strand of smoke wove upward before the paper burst into flame. Extra light illuminated the room then dimmed as the paper turned into gray ash. “We know their weaknesses as well as their strengths. Use their weaknesses against them. Convince them that there is no other choice.”
Feroci leaned forward and grabbed the quill he had dropped when Barat had entered. He ran his fingers across its smoothness before taking a clean paper. “Well put.” He dipped the quill in ink. “Matheny … ’tis a vast city, but given the right promise, the townspeople will rebel and overthrow Lord Nedry.” He wrote a few lines, shaping the concept that Barat had supplied. “Haar is closer to the king, so that could pose problems.”
“Then wait on Haar. We’ve three cities between our province and them.”
Feroci didn’t look up from his writing. “Lord Alexandre is on my side. If he works with me, mayhap we can claim the help of Belmis, Metz, and Kiralyn.” He paused at the last name. The anger that had dissipated boiled under the surface once more.
“You can’t obtain Kiralyn—”
“Curse you, man!” Feroci threw his quill at Barat. The man didn’t flinch. “We’ll have to overthrow Lord Kiralyn and sever any ‘blood ties’ to the king. I will obtain the throne.”  He stood and his chair crashed backward. Obtaining Lord Trent’s domain from the king had been an easy task. The unfortunate lord had conveniently died in battle with no other witness besides Barat. The king had promoted Feroci from sheriff to lordship, giving him reign over Abtshire, Fordyce, and Keller. Controlling the latter two was nothing—they were mere hamlets compared to the likes of Matheny. Feroci had the talent and ability for so much more.
He had to gain control before Yzebel gave birth to their child—his heir. It must be his heir. He had no use for a lass. But a son—a son he could shape and mold, without the meddling of others, to follow in his footsteps … aye, that son would establish their family as royalty forever. The land was now under the leadership of a man who had gone mad since his daughter’s return. Why had he named Princess Belle as heiress of the kingdom? She had left her father and had been raised by Lord and Lady Kiralyn. This, Feroci would know—he was one of the only lords the king didn’t refuse to see after the death of his wife. In the king’s dark hours of grief, he had made substantial promises to Feroci for his help. Promises that had blown away much like the ash of the letter Barat had burned.
Feroci had written. Barat had spoken. Nothing would sway the king’s mind. He was going against all tradition of the land and naming a woman as leadership, should he pass before she married.
“I can’t marry the lass myself, and I haven’t a son to do so. I will make the king pay,” Feroci hissed. He walked to the window and pulled back the drapes that blocked the fading daylight. A lad stood below, staring up at him. Recognition slammed Feroci when his eyes locked onto the lad. He was more of a threat to Feroci than he would ever know.
“Barat.”
The man joined him.
“How much did he hear?”
The lad’s gaze shifted to something in the distance. He turned and walked toward the barracks—the place he should have already been at this time of day.
Barat’s dark eyes followed the lad’s movement. “You can finally make your move against him.”
Finally. Feroci liked the sound of that word. He had waited too long, but he would wait no longer. “Take care of him.”
The silence between them sealed the promise.
“But don’t make it a matter of convenience.” Feroci let the drapes fall. “I don’t want to raise suspicion.”

Add to your Goodreads' Shelf.
Pre-order your eBook from Amazon.

Want to read more?
Visit Amanda's blog for a preview of the first chapter.



Would you like to be a part of “Protecting the Poor's" release team (and get a free eBook)? Sign up here to spread the word on social media!

Tuesday, April 23, 2019

Globe Trotting through Time

Good books and movies are common modes of transportation to other times and places. What isn’t so common, at least for me, is dressing up and imagining myself physically inhabiting those other worlds. Not like actors, cosplayers, historical reenactors, and others who do it just for fun.

But last week friends gave me the opportunity to wear costumes in a beautiful park with a waterfall, streams, pathways, woods, cliffs, hills, and a ruined castle while they snapped photos and wove stories to help create the portraits we were aiming for. With each different outfit, I felt like I became a different person.

This first costume was inspired by Astrid from How to Train Your Dragon. My talented friends crafted the fur, leather, and metal parts of the outfit. I imagined that I was one of my Swedish ancestors, a Viking woman defending her homeland while the men were away.






This second one is actually my martial arts uniform. This didn’t require much imagination since I’m so used to wearing it, but it was great fun to try out different weapons by a waterfall that could be in China or Japan.






Costume number three is my gown patterned after the Titanic period (around 1912). Here I was in early twentieth-century England, dreaming about my favorite books while enjoying an excursion into nature.






This Scottish highlander dress brought me to another of my favorite countries as I romped around on trails, up hillsides, by the water, and even along a castle wall.






Lastly, this gown, which we nicknamed the Arwen dress (from Lord of the Rings), brought me into the realm of fairy tales, Middle Earth, and Arthurian legends.






My friend Hannah also participated in the role-playing portraits. Here she’s a feisty Spanish Western ranch owner challenging a trespasser on her property.






And here she’s an exotic African queen who may or may not be an actual leopardess.



By the time our picture taking was done, we joked that we’d traveled the globe—Scandinavia, China or Japan, England, Scotland, Middle Earth, the American West, and Africa—and all within a mile of each other in the same park in Oklahoma!


Have you ever dressed up in clothes of different eras?

Sunday, February 24, 2019

Interview with the Artist

I was thrilled to have the talented E. Kaiser Writes illustrate my book The Road to Bremen. As I was writing this story and beginning to imagine it illustrated, I could think of only one artist to ask because of her illustrating experience and her special expertise in depicting animals. I was so glad that she agreed to work with me, and I couldn’t be happier with her contribution to my book. It wouldn’t be the same without her!


Check out her website!


Welcome, Elizabeth! Let’s begin at the beginning. When did you start drawing, and who was the first illustrator to capture your attention and imagination? 

Being homeschooled, I learned how to draw by first learning how to doodle, and I learned that at about four years old, sitting around the kitchen table with my older siblings when we were supposed to be doing our schoolwork. I got myself into it: I begged Mom to give me schoolwork so I could join the “big kids”…but soon was as bored as they, and discovered they held doodling competitions when Mom was out of the room. I joined in, and it just went from there!

As kids, Mom and Dad used to read aloud to us in the evenings, and one winter they read the Little House books. I remember marveling at the illustrations by Garth Williams, and that’s definitely one of my early “boy, I could never be as good as that!” moments! 

My family was largely artistic, and encouraged that all the time, so growing up I always had an eye toward refining what skills I possessed. But I really didn’t “get serious” about my art until I was in my twenties, and I never anticipated ending up as an actual illustrator. That was an unexpected twist in my story, and one that I really do love! 

That’s so neat! I know at least one person who has seen your illustrations for my book compared you to Garth Williams. What are a few other books you have illustrated? 

I’ve been blessed to work with quite a few wonderful folks who really have supplied great fodder for my artistic imagination…especially fantasy/fairytale type tales. Love the opportunity those give to meld actual historic details into art that is unrestrained by any limitation, so that’s a wonderful playground to explore. I like to make my illustrations as chock-full of meaningful details as possible, and borrowing from history is such a fun way to do that. 

Another fun project I’ve been lucky enough to be a part of is illustrating for Bible stories, and those are particularly up my alley because there is such a wealth of actual data that can be accessed, from which to draw on any point in Biblical times…and yet there’s a great lack of really nailed-down details, so there’s really a wide array of possible angles to take any of the elements, so it’s fun to do the research and then interpret all of that as artistically as possible. And hopefully hit upon an apt representation of the rich flavor of ancient life. 

I love that you put so much enthusiastic research into each project. Can you tell us a few of the details that you dug up while researching the German animals, flowers, and landscapes and used in The Road to Bremen? 

Yes! That is the fun part! I believe illustrations can add so much to the reader’s experience of the story, and it’s a place where so much can be learned. So my goal is to put as much authentic detail in as possible.  

So Kelsey and I talked about the location (which is a real place in Germany!) and the era for the clothes and buildings the story takes place amongst. Having a real location with pictorial access was a big help; we found local breeds of farm animals, and were able to feature area-accurate flowers in nearly all of the pieces. 

The kind of donkeys Germany seems to have were just the usual ones, but they were still easy to make adorably quirky. We got really lucky with the dog, because there’s an old fashioned breed called the Deutsche Bracke, so I was able to model directly off of that! Then for Rüdiger the rooster, we used a Bergische Kräher…which translated means “Farm Crower,” noted for its lengthy crowing ability! Which was perfect for Rüdiger, since he prides himself on his voice. 

So it was a lot of fun to delve into details like that…we incorporated a famous statue in the town of Bremen, and used real German landscapes whenever possible. I always like to learn something from any illustration project, and I hope that viewers will also pick up new things from them, too! 

In all, it’s usually great fun to work with an author on their vision for the story, and you were so prepared, Kelsey, with lots of inspiration already pinned, that it was a delightful process!!



Aw, I’m glad to hear that! It was a delightful process for me, too, and you were so easy to work with. I love your work. What is your favorite type of thing to draw? 

I love animals because they’re so expressive and so often they get neglected by other artists, so it makes me happy to contribute to the “gap” that surrounds them in art. And there are a wealth of expressions that can be brought across with them, so they’re always fun.

The other thing I get excited about is architecture, and trying to estimate accurately for whatever sort of period the setting is. I’m more fluid and free-flowing in my art than strictly structured, so architecture is a challenge for me, but it’s a fun challenge that I love to research out and then compose building details for illustrations, which I think can add so much to the feel of a piece. 

That’s really cool! And what media do you work in? 

I do a lot of pencil: black and white and shading…that’s mostly interior art, and so that makes up the bulk of any project, for the most part. I’ve done line art, with pen, for coloring books, etc. and that is also fun and brings its own challenges.

For color, I’m a real mixed-media fan, and may start with watercolor style washes and then move on to acrylics for some intense pops of color, and then add the precision of colored pencil into the smorgasbord… I really just feel my way forward and try to “herd the process in the right direction.” I’m very unscientific, during the actual art stages… I get very detailed and demanding of my research, and become frustrated if I can’t find the exact thing I’m looking for, but once we leave the planning stage and move to the creative ones, I’m completely nonlinear. 

You’ve illustrated your own books as well. Which is harder, doing it for yourself or for others? 

Oh, for myself, by far!!! I’m my own worst critic and am constantly belittling my work, so it’s quite a struggle to know when to listen to the “inner editor,” so to speak, and when to toss it outside, shut the door and lock it fast!  

I’ve been tremendously blessed to work with folks who are vastly more encouraging about my results than I myself am: so that’s a huge, huge gift that I’m always very grateful to receive. And in trade I’m able to give shape to their dreams, which they aren’t capable of at this stage, and that’s a wonderful synergy there!

And the completed projects are always so fun to see…  

Yes, indeed! Tell us about the coloring book you recently released. I’m really excited to get my hands on a copy of it.


Amazon.com
Folks had been telling me for years that I should make my art into a coloring book, so I started with a horse-based theme that got interrupted by a real-life move of the ranch operation from one state to another. That swallowed about two years, during which I could only peck at various creative projects, but late 2018 felt like there was a little bit of release of pressure from the aftermath of that upheaval, and we buckled down in earnest to pushing that past the tipping point and into reality.

So “Horses of the Elements” Adult (or Advanced, as I like to frame it) Coloring Book was finally born, and we’re hoping to bring out a few more in not too long. Hopefully much less time between start to finish on upcoming ones!

But horses are really such “darlings of the art world”; when you think about it, they’ve been portrayed in nearly every culture whose art has impacted our current impression of art history…back to the caves at Lascaux, there are horses on the walls. They embody so many aspects of our emotion, so I wanted to take that train of thought and really give it wings, so to speak, and allow them to sort of translate the feeling of various elements that aren’t simple to sum up, but complex and vivid entities in our awareness.

So like Thunder and Lightning, Forest Fire, Sea, Volcano… We made winged horses for Air, and Typhoon, and Snow; we did unicorns for each season, just really setting the stage for colorists to let their imaginations take flight, and it’s all based on the universally appealing, and endlessly changeable facets of horsedom in all its forms. From foals to drafts, ponies to hotbloods, we explored the spectrum of equines and their dynamic temperaments! 

Our images run from wildly dynamic forces of nature to the placid, calm side; from showcasing the variety of equine breed types to quiet moments of peaceful friendship.

The one constant is they are all beautiful, and should be fun for anyone to bring to life with color. 

I had a sneak peek at most of the pictures for this coloring book, and I got to color one with watercolor pencils and coaching from a horse expert. Here’s a photo:



Tuesday, February 19, 2019

The Origin of The Road to Bremen

Etzel the donkey just couldn’t face walking to the mill this morning. His knees and back ached as if the heavy sacks of grain or flour he often carried were already on his back. His master, Herr Hofmann, stood at the doorway to Etzel’s stall, clucking his tongue like an angry woodpecker.
Ach! Are you coming or not, you insolent, lazy beast?”
Etzel gazed at him. He wouldn’t set foot from his stall, not for all the hay in the field. Well, maybe for that he would. But he certainly wouldn’t go out if Herr Hofmann expected him to make a trip to the mill.
~*~
These are the opening lines to my newest book, The Road to Bremen, which released this month. It’s quite different than anything else I’ve published before. It’s a fairy tale retelling, thus fitting under the label of fantasy. It’s 100,000 words shorter than my shortest novel, measuring in at just under 20,000. And it’s written with children in mind, though I attempted to write like my favorite children’s books authors, whose stories don’t talk down to their readers and are therefore appreciated by older audiences, too.

When I started writing The Road to Bremen, I wasn’t sure I would publish it. As my author bio relates, “Bogged down during the crafting of a much longer book, Kelsey started writing a retelling of one of her favorite fairy tales, ‘The Bremen Town Musicians,’ to resuscitate her creativity. She rather liked the result.” I wrote it for fun, and as I wrote, the idea that it would be a nice book to have illustrated began to take shape. I even knew who I’d ask. (Check back for her interview!) Well, that meant publishing, right?

The rest is history, and here we are at the present day. The Road to Bremen is available as a paperback and an e-book.

The Grimms’ fairy tale “The Bremen Town Musicians” is about four elderly animals who have outlived their usefulness, according to their owners. I set my retelling in mid-1600s Germany. Etzel the donkey can’t haul grain like he used to and just wants to rest. Jäger the dog is almost deaf and can no longer hunt or guard his master’s house. Katarina isn’t a good mouser anymore. Rüdiger, being replaced by younger cocks, is destined for dinner. But instead of accepting their fate and concluding that they are indeed useless, these old farm animals set off on a new adventure to pursue a dream: becoming musicians in the grand city of Bremen. But of course the journey is far from easy and far from what they expect.



We have been very honorable in pursuing this music-making and doing such a noble thing with our lives. It is only to be expected that our lives are in danger.”
Rüdiger the rooster

My favorite aspect of writing the story was the characters. Etzel is a humble and visionary leader, yet proud of being a donkey. Jäger is a droopy, lovable hound dog who follows along and tries not to cause trouble. Katarina is a spunky spitfire of a cat who can’t help but be annoyed by Rüdiger the rooster. Rüdiger is an intelligent creature who values dignity and honor and quotes Aesop. Together, they make a band of musicians . . . and more important, a band of friends and heroes.

My illustrator, E. Kaiser Writes, did a phenomenal job of bringing the animals’ images to life on the page. I’m excited to be interviewing her in a couple of days! And I hope you’ll join these animals on their quest if you’re in the mood for a heart-warming read.

See on Amazon
 

Thursday, February 14, 2019

Jane Austen Inspired Giveaway


Jane Austen. There's no one quite like her. She continues to inspire us all these years later. This Valentine's Day, I and a few authors came together to bring a special sale and giveaway. 

Twelve books are on sale for $2.99 or less from February 14 to 18. Most of the books take the beloved classics and retell them in a new setting. Books like Tracking Ruby and Water Princess, Fire Prince feature characters who adore and quote Jane Austen's stories. Each book is clean and perfect for those who want a little touch of Jane Austen and romance for this Valentine's Day.






a Rafflecopter giveaway

Monday, February 11, 2019

My Upcoming Release and Cover Reveal

Almost two years after my last book, I'm excited to announce that I have a new release! I'm launching into the territory of a different genre with this one: children's fairy tale retelling. And what's more, it's illustrated. Illustrated! I always dreamed of authoring an illustrated book. The incredibly talented E. Kaiser Writes did the artwork for both the cover and the interior.

And now for the cover!



 
Their lives are saved by a dream. But only friendship can make that dream a reality.

Once upon a time...

Etzel the donkey is getting old, but he works hard on his farm—until the day Herr Hoffman decides he is no longer worth keeping. With no choice but to escape, Etzel sets off on the road to Bremen to seek his fortune as a musician. On the way, he rescues three other animals—a dog, a cat, and a rooster—who are also old and destined for death.

Will these four new friends find their success and worth as musicians in Bremen? Or does the road hold something better?


Based on “The Bremen Town Musicians” from the Grimms' Fairy Tales. Ideal for kids from 7 to 11 years old, but great for all those young at heart.

________________________________________________________________________________
The e-book releases February 22 and is available for pre-order now! It's on sale for $1.99, but the price will go up to $2.99 soon after the official release. For those of you who prefer paperback, it's available right now.

What readers are saying:


Delightful and fun, with a lovable cast of unforgettable animals! A marvelous retelling ofThe Bremen Town Musicians.'" – Rebekah Stargazer, Writer

Utterly charming! A tale full of heart." – Deborah O'Carroll, Writer and Blogger

“Kelsey Bryant's storytelling skills freshened and bolstered this inspiring tale." – Grant P. Ferguson, Author of Cliftopolis SERIES 

 ____________________________________________________________
Stay tuned for more fun details and tidbits in the coming weeks. I'll have tales to tell about my inspirations and how I wrote this book, as well as an interview with my wonderful illustrator. 

Sunday, February 10, 2019

Five Gems Spotlight and Giveaway




In honor of the release of her third book in the Five Gems series, author E. Kaiser Writes is doing a blog tour and giveaway with Silver Dagger Book Tours! She's one of my favorite indie authors, so I encourage you to take a look at her books and have fun with the tour. You'll find a link to the main post at the end, which will also take you to the giveaway and schedule.



Jeweler's Apprentice
Five Gems Book 1
by E. Kaiser Writes
Genre: YA Fantasy Adventure


On her first visit to the palace, sixteen-year-old Fia stumbles upon a court intrigue. To keep the secret safe, the Chancellor sends her off as apprentice to a famous, reclusive, mountain jeweler...
...And straight into adventure.
Discovering gems with deep secrets and new friends with the same, Fia learns a whole lot more than just making jewelry: when to trust a stranger, and when not to, why not to try stealing from gem thieves; what heroism is; what royalty ought to be; and that the mountains themselves can sometimes be the greatest danger of all.
Is the legend of the Sunlight Stone true?
Will peace ever come to the war-torn neighboring kingdom?
And what is the stable boy hiding...?


**Only .99 cents!**


Traitor's Knife
Five Gems Book 2


Secrets. Sabotage. Murder. With Olayin House temporarily turned into a weapons factory, Fia is confronted with the care of three refugee children, an ill-timed visitor, a perplexingly brash messenger that she isn't quite sure what to think of, all while trying to keep her friend’s secrets safe. But when dangerous accidents start to happen, the young apprentice begins to tread a fine line of suspicion. Are saboteurs out to nix the weapons works... and is the incognito crown prince in mortal peril? Winter in the mountain house isn’t as cozy as her apprenticeship was expected to be. 


**Only .99 cents!**


King's Ward
Five Gems Book 3


With her wealth of loyalist secrets, Fia’s position at Olayin House is compromised. Now a potential danger to two countries, she is made a ward of the king and sent away yet again; this time into the grassland kingdom of Erlandia, but her journey amongst the horse folk takes unexpected turns.
Trapped under siege, she faces two men from her past... one she fears might murder her, and the other may die of plague unless she wins the battle for his life.
And with the Sunlight Stone traded for troops, how long will Erlandia’s peace last?




About the Author
E. Kaiser Writes was born into a family of readers, and got started on storytelling around the age of four when her older siblings prompted her into recounting an absolutely ridiculous account of a parallel childhood. It was good for the family's general entertainment, and she discovered the thrill of making people laugh.
At the age of seven her mother read the Hobbit aloud, and a fascination with beautiful fantasy was born. At nine she came to the decision that she wanted to be a writer, and set to reading rabidly to learn the art. At thirteen she attempted her first novel, and it was eaten in a computer's demise.
Afterward, during her teenage years she tried very hard at various times to stop writing all together.
Not succeeding, she at last gave in to her addiction, and wrote
for fun."


Her first novel, Jeweler's Apprentice, is a light-fantasy adventure for teens. The shy, bookish heroine is thrust out on the first step toward the adventure that awaits, and growing up. More books in this series are expected.  




Giveaway
- King's Ward Prize Pack – 1 winner
- Five Gems Prize Pack – 1 winner
- sticker & magnet prize pack – 2 winners
Follow the tour HERE for exclusive excerpts, guest posts and a giveaway!